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With the latest release of Capture One 11 following a recent Lucie Technical Award at PhotoPlus Expo, the best color correction software just got even better. Many of the features I have been longing for since adding Capture One to my workflow are now included, making it the ultimate post-production software on the market. Here's an in-depth look at the latest features and how they perform in a real-world workflow.
A single-user perpetual license of Capture One Pro 10 has 3 activations and a subscription 2 activations. There are also multi-user licenses for Capture One Pro 10 that allow for 5, 10 or more activations. A single-user perpetual license of Capture One Pro (for Sony) 10 has 2 activations. The screenshot above shows the license status from.
Do Not Import Duplicates
Finally, the last missing feature from years of using Apple's Aperture has come to Capture One: do not duplicate images during import. Oh, how sweet this feature is! My workflow has adapted to ingesting images less and tethering more frequently, but when flying my Phantom 4 Pro quadcopter, I import images between battery changes as much as possible. Not that I plan on losing my quadcopter, but it is the only camera I use without redundancy in the form of storage. Never mind that it's 400 feet overhead; I bring my 13' MacBook Pro and Capture One with me when I fly to import frequently. Having Capture One reliably filter and exclude duplicate images that have already been imported is welcomed a time saver.
Capture One Pro 11 User Manual Pdf
Checking and verifying cards after importing is another area where this tool is remarkably useful. Once images are imported, I typically check files on memory cards in the camera against what was imported into Capture One. I back up to a second card in the camera, so typically I can do that comparison side by side. Having Capture One confirm if all images on a card were imported into a catalog is not only convenient but reaffirming. I try really hard not to format a card until a job is complete, which includes backing up locally to a RAID 5 array, then to a second drive at my desk, to SmugMug, as well as offsite on another physical drive. If I'm super busy, sometimes that means shooting on a card again so it can be backed up again before formatting it, and this feature automatically eliminates any redundancy.
Layers and The Missing Layers Tool Tab
Initially, I was confused at the absence of the layers tab, given that every tool can now be applied to a layer. With layer dependent blending and opacities now available, it seemed odd that the tool tab would disappear. After using the software in a workflow, it became clear that it was no longer necessary since so many new tools (every tool except black and white, film grain) can be applied to a layer. It makes sense once you get going, and while it would seem to deserve its own space, it's better integrated into color corrections and retouching throughout the other tool tabs. Feathering and layer masking with refinements, plus layer opacity adjustments available after the fact, will take image corrections to a whole new level without having to leave Capture One! I've found that images requiring extensive retouching and layer adjustments end up being finished last so as not to have to leave Capture One. The more functionality it has natively, the less time it takes to leave the software.
Annotations and Cropping
Depending on how you work, this feature will really be useful. It appears to be intended for working with other creatives. If your workflow includes a separate retoucher, it's an especially brilliant feature. I retouch my own images and see this as useful to send planning notes to a client directly on a location scouting image. That's quite valuable to me, and will absolutely improve the quality of my finished work through cohesiveness. It brings a new tool to the table as to how users can communicate with clients and other creatives. Crops and annotations can be exported as a PSD file with layers and paths, which can be toggled on and off by a retoucher to see precisely where adjustments need to be made.
I've wrestled with the crop issue in the publishing world for years: do I send a full-size image for additional layout flexibility or crop it so it looks at its best? Thus far it has depended on how much I trust a designer but now I have the option to include the full and cropped versions.
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Faster Library Load Time
Load time matters, and for the massive catalogs I work with, the time adds up. Earlier this year I led a webinar with Capture One's brilliant David Grover on 'Maximizing Catalog Organization.' In that webinar, I was using a new Capture One catalog for 2017 which now contains approximately 1.5 TB of data and tens of thousands of 14-bit raw images. For reference, it is stored on a four disk RAID 5 Thunderbolt array. Many of those files were created with a 36.3 megapixel Nikon D800E, along with DJI Phantom 4 Pro DNG files, Nikon D4 raw files, plus the occasional Sony, Fuji, and Canon camera. That's a great deal of data to manage including a wide array of file formats, not to mention many layered TIF and PSD files. My MacBook Pro is quite underpowered so I didn’t notice a significant time saving, but the duration has also not increased as the catalog has grown. Mailplane mac app store apps.
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Honorable Mention - Before and After Preview
The massively welcomed before and after was added in Capture One 10. Its addition was easy to miss but the feature works globally on an image, or on a specific setting, by option-clicking an undo button for a quick look at an adjustment. The ability to set a single shortcut key for a global before and after would be a real time saver, aside from the undo button. The image preview in the browser will also toggle with the before and after preview.
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Migration to Capture One 11
The only hangup I ran into during migration to Capture One 11 is that my old process recipes didn’t follow. I first noticed this in beta and the issue persisted in the full version. It was easily resolved by navigating to ~Library/Application Support/Capture One, where I found the process recipes in the folder Recipes100 (Capture One 10.0) and copied them into Recipes110 (Capture One 11.0).
As I was working in beta 11 for some time, I was working with smaller catalogs so as not to run into issues in my primary workflow. There wasn't a reason for concern but now that Capture One 11 is out, I needed to bring all of my catalogs up to date. Catalog updates were nearly instantaneous, and the process of importing catalogs, including multiple catalogs at one time, is quite smooth. I wasn't sure if two catalogs could be imported into a primary catalog at one time and they could! It is worth mentioning that catalogs do need to be matched or current to Capture One 11 for importing into a Capture One 11 library. Manual image sorting is still lost from within a Smart Album after importing to a new catalog. One workaround is to first rename images in a Smart Album for sorting by file name after, then import the catalog.
What I Love
- Everything! Layer opacity is a feature I longed for but didn't know how much I needed it until now. I can almost move on from relying on any additional third-party software for post-processing. The only two reasons I leave Capture One in post-production include layer masks and faster retouching/healing.
- Local adjustments have gotten all the more powerful, improving quality and flexibility through the software improvements.
- Styles can be added as a filler layer and intensity adjusted through layer opacity. This deepens the value of a Styles pack by adding refinement and greater versatility. Styles have also been updated and optimized for Capture One 11.
- Do not import duplicates! This was such an exciting feature to see added to Capture One, it will make my work easier.
- Capture One is available as a stand-alone purchase. There is a monthly subscription available, but I prefer the former. It’s less confusing and permanent, plus once you're in, updates are quite affordable. Not only that, every update is invaluable and includes features that save time while further enhancing image quality.
What Could Be Improved
- A 4k/5k interface display option in preferences. Scrubby sliders disappear on a pixel-dense display, but the richness of viewing and retouching images on a 4k display is worth the inconvenience. This is an issue for all of macOS and using three displays each having a different pixel density.
- Spot news photojournalists would especially appreciate having a radio button during import to process image previews after ingesting the files. That would allow users to begin a first-round edit (selection) as soon as possible and worry about processing (relevant) high-resolution previews later. As image resolutions continue to climb, any acceleration or workflow advantage is significant.
- Image sorting order preserved after merging catalogs. I typically create a local catalog on my MacBook Pro for each job and later merge them with an annual Capture One catalog stored on a dedicated RAID array. If I manually arrange an edit in Capture One, the sort order reset after importing into the master catalog. There's a workaround here in renaming images, and this is a remnant from nightmares working in Adobe Bridge, I never rename files.
Closing Thoughts
Capture One Pro 11 Manual
If you haven't started using Capture One 11, as always, you can download a free trial of the full version from the fine folks at Phase One.
Capture One 11 Pro
Are you new to Capture One? Or perhaps a seasoned user? What do you enjoy most about using Capture One? What new ways do you find yourself taking advantage of new improvements? Spotify download websites app. What features would you like to see added in future releases? Let us know in the comments below!
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